In this issue – TWENTY-EIGHT – of the journal Estudo Prévio, we once again publish interviews with international architects whose works and worldviews are of particular interest. We open this issue with a conversation with the renowned British architect Tony Fretton (b. 1945) and a visual essay by João Miranda, “To build a New E(vo)ra” — City, Process and Drawing by Álvaro Siza [Notebook 3/77], an analysis of primary sources drawn from Álvaro Siza’s notebooks — part of the Drawing Matter collection.
In the dossier In Continuum: five interviews and one visual essay on the thought and practice of contemporary architecture, Tom Emerson, Ricardo Carvalho, Fernando Viegas, João Nunes and Jeremy Till take up the challenge of debating — individually, yet forming a collective theoretical body — the role of architecture in the contemporary city, addressing themes such as the urban/natural relationship, the right to the city, public space and housing. These reflections are complemented by a visual essay by Duarte Belo.
We also publish a research article by Thais Anastácio Pestana, Between geology and the Atlantic: the Câmara de Lobos Salinas Complex Project. Architecture, Landscape and Regeneration on the south coast of the island of Madeira, and one by Alexandra Casimiro, The Incomplete Forum. The Lisbon Palace of Justice by Januário Godinho and João Andresen. Finally, we conclude the issue with reviews of two works: Begin Again. Fail Better, the book published to coincide with the exhibition “Begin Again. Fail Better – Preliminary Drawings in Architecture (and Art)”, on display at the Kunstmuseum Olten in Olten, Switzerland, between 1 June 2024 and 25 August 2024 (by João Miranda), and Futuro Ancestral, by Ailton Krenak (by Delia Sloneanu). We therefore have a very rich and diverse issue in store, which we hope will provide some excellent summer readings!